After presenting the test, We were contracted to complete a wide range of shots containing the phone in the film, in addition to numerous other elements, including the glass coffee table interface, window monitors streaming live cable news feeds, and various other screen designs and user interface elements—none of which had pre-existing concept art.
HOLOGRAMS AND CONCEPTUALIZING J.A.R.V.I.S.
We conceptualized an elaborate series of sequences taking place within Tony Stark’s garage-workshop. The creative challenge was to build the visual manifestation of J.A.R.V.I.S. itself in a fully immersive holographic environment.
We completed this early test demonstrating the incredibly sophisticated and three-dimensional interface surrounding Stark, as well as several additional concept art renderings. The objective was to design an interface that was as beautiful as it was functional, yet had a considerable amount of impressionistic and artistic flair since Stark is the modern day DaVinci of the digital era. In a sense, Jarvis is actually a visual representation of Stark’s imagination and genius level mind.